Jill St. John
From Wikipedia, the free encyclopedia
Jill St. John (born Jill Arlyn Oppenheim; August 19, 1940) is an American actress. She is best known for playing Tiffany Case, first American Bond girl of the 007 franchise, in Diamonds Are Forever. Her other films include The Lost World, Tender Is the Night, Come Blow Your Horn, for which she received a Golden Globe nomination, Who's Minding the Store?, The Oscar, Tony Rome, Sitting Target and The Concrete Jungle.
On television, St. John has appeared in such top rated shows as Batman, The Big Valley, Rowan & Martin's Laugh-In, Hart to Hart, Vega$, The Love Boat, Fantasy Island, Magnum, P.I. and Seinfeld. During her Hollywood heyday she was almost equally famous for her high-profile social life and frequent romantic associations with prominent public figures.
St. John is married to actor Robert Wagner and has known him since she was 18 years old. They share credits on nearly a dozen screen and stage productions, notably the miniseries remake of Around the World in 80 Days.
Acting
Movie
Diamonds Are Forever
as Tiffany Case
1971
TV
Seinfeld
as Mrs. Abbott
1989
Movie
The Player
as Jill St. John
1992
TV
Batman
as Molly
1966
TV
Magnum, P.I.
as Jan Kona
1980
TV
The Love Boat
as Mitzi De Risi
1977
TV
The Love Boat
as Claire Dalrymple
1977
TV
The Love Boat
as Laura
1977
TV
The Love Boat
as Sandy Wilston
1977
TV
Fantasy Island
as Ellen Layton / Jane Doe
1978
Movie
The Lost World
as Jennifer Holmes
1960
Movie
Who's Minding the Store?
as Barbara Tuttle
1963
TV
The Tonight Show Starring Johnny Carson
as Self
1962
TV
Around the World in 80 Days
as Woman Mistaken for Princess Aouda
1989
Movie
Northpole
as Mrs. Claus
2014
Movie
The Concrete Jungle
as Warden Fletcher
1982
Movie
Tony Rome
as Ann Archer
1967
TV
The Big Valley
as Barbary Red
1965
Movie
The Trip
as Mary Oakley
2002
Movie
The Roman Spring of Mrs. Stone
as Barbara Bingham
1961
TV
Rowan & Martin's Laugh-In
as Self (uncredited)
1968
TV
Rowan & Martin's Laugh-In
as Self
1968
Movie
Sitting Target
as Pat Lomart
1972
Movie
Natalie Wood: What Remains Behind
as Self
2020