George Albert Smith
Along with his better-known French counterpart Georges Méliès, George Albert Smith, usually credited as G.A. Smith, was one of the first filmmakers to explore fictional and fantastic themes, often using surprisingly sophisticated special effects. His background was ideal – an established portrait photographer, he also had a long-standing interest in show business, running a tourist attraction in his native Brighton featuring a fortune teller. His films were among the first to feature such innovations as superimposition (Smith patented a double-exposure system in 1897), close-ups and scene transitions involving wipes and focus pulls. He also patented Kinemacolor – the world's first commercial cinema color system--in 1906, which was extremely successful for a time, despite the special equipment required to project it
Acting
Crew
Movie
The Kiss in the Tunnel
Producer
1899
Movie
Grandma's Reading Glass
Producer
1900
Movie
The Sick Kitten
Director
1903
Movie
The X-Ray Fiend
Producer
1897
Movie
Santa Claus
Director
1898
Movie
Mary Jane's Mishap
Director
1903
Movie
Let Me Dream Again
Director
1900
Movie
As Seen Through a Telescope
Producer
1900
Movie
The Miller and the Sweep
Director
1897
Movie
The Coronation of Edward VII
Camera Operator
1902
Movie
Comic Face
Director
1897
Movie
The Old Maid's Valentine
Director
1900