Max Ophüls
Maximillian Oppenheimer (6 May 1902 – 26 March 1957) — known as Max Ophüls — was an influential German film director who worked in Germany (1931–33), France (1933–40), the United States (1947–50), and France again (1950–57). He is best known for his smooth camera movements and complex tracking shots. Many of his films are narrated from the point of view of the female protagonist. In addition to the American romantic melodrama Letter from an Unknown Woman (1948), the French productions La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de... (1953) and Lola Montès (1955) are among his best-known works. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.
Acting
Crew
Movie
Letter from an Unknown Woman
Director
1948
Movie
The Earrings of Madame de...
Director
1953
Movie
Lola Montès
Writer
1955
Movie
La Ronde
Director
1950
Movie
The Reckless Moment
Director
1949
Movie
Le Plaisir
Director
1952
Movie
Caught
Director
1949
Movie
Liebelei
Director
1933
Movie
Everybody's Woman
Director
1934
Movie
There's No Tomorrow
Screenplay
1940
Movie
From Mayerling to Sarajevo
Director
1940
Movie
The Exile
Director
1947