Eugen Schüfftan
From Wikipedia, the free encyclopedia
Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer.
He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques.
Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Crew
Movie
Metropolis
Visual Effects
1927
Movie
The Hustler
Director of Photography
1961
Movie
Eyes Without a Face
Director of Photography
1960
Movie
Port of Shadows
Director of Photography
1938
Movie
Napoleon
Visual Effects Supervisor
1927
Movie
Ulysses
Special Effects
1954
Movie
The Dark Mirror
Visual Effects
1946
Movie
People on Sunday
Director of Photography
1930
Movie
Lilith
Director of Photography
1964
Movie
It Happened Tomorrow
Technical Supervisor
1944
Movie
Bizarre, Bizarre
Director of Photography
1937
Movie
Bluebeard
Director of Photography
1944