Dziga Vertov
Dziga Vertov (born David Abelevich Kaufman) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. The independent, exploratory style of Vertov influenced and inspired many filmmakers and directors. The Dziga Vertov Group borrowed his name. In 1960, Jean Rouch used Vertov's filming theory when making Chronicle of a Summer. His partner Edgar Morin coined Cinéma vérité term when describing the style, using direct translation of Vertov’s KinoPravda. The Free Cinema movement in the United Kingdom during the 1950s, the Direct Cinema in North America in the late 1950s and early 1960s, and the Candid Eye series in Canada in the 1950s, all essentially owed a debt to Vertov. In the 2012 Sight & Sound poll, critics voted Vertov's Man with a Movie Camera (1929) the 8th best film ever made.
Acting
Crew
Movie
Man with a Movie Camera
Director
1929
Movie
Kino Eye
Director
1924
Movie
Enthusiasm. Symphony of Donbas
Director
1930
Movie
Three Songs About Lenin
Director
1934
Movie
A Sixth Part of the World
Director
1926
Movie
Soviet Toys
Director
1924
Movie
Kino-Pravda No. 1
Director
1922
Movie
The Eleventh Year
Director
1928
Movie
Kino-Pravda No. 21: Lenin Kino-Pravda. A Film Poem About Lenin
Director
1925
Movie
Kino-Pravda No. 17
Director
1923
Movie
Stride, Soviet!
Director
1926
Movie
Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean
Director
1924